DOCS BY THE SEA 2025  •  VIRTUAL LAB : 24 JULY–04 AUGUST  •  IN-PERSON LAB : 03–06 SEPTEMBER  •  FORUM : 07–10 SEPTEMBER

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Docs by the Sea 2025

Programme Description

The Docs by the Sea program mainly consists of film labs and pitching forums. Participating filmmakers will work with highly-esteemed international mentors, have the opportunity to present their projects, and connect with international industry representatives. The labs are conducted in two parts: virtual session in July–August, and in-person sessions in September.

Through these series of Labs, the mentors will work closely with the filmmakers to refine and shape their projects in both group sessions and intensive 1-on-1 sessions. Aside from project consultations and skill-building, the mentors will also prepare the filmmakers in pitch exercises before moving forward to pitching sessions. Our mentors represent diverse filmmaking backgrounds and genders, including distinguished names who have won or been nominated for prestigious film awards. Get to know them better here [link to Attendees > Mentor]

Our pitching forum—presenting projects from the Editing, Storytelling, and Short-storytelling Labs—will gather industry professionals from distinguished festivals, markets, and companies. Along with the final part of the lab and various industry activities (talks and 1-on-1 meetings),  the DBTS Forum is going to be held in Sanur, Bali, 4–10 September 2025.

Key Dates

Call for Submission
Project submission 3 March–24 April 2025
Participant confirmation 10–14 June 2025
Selected projects announcement 19 June 2025
Virtual Sessions
Pre-event session 23 July 2025
All labs 24 July–2 August 2025
Pitch Methodology Online Session 4 August 2025
In Persons Sessions & Events
Editing Lab 3–5 September 2025
Storytelling Lab 5 September 2025
Producing Lab, Short-Storytelling Lab, and Pitch exercise (Editing & Storytelling Lab) 6 September 2025
Pitching Forum, Industry Talks, 1-on-1 Meetings, Awarding 7–10 September 2025

Eligibility

Citizenship

The project must be produced or directed by a national of any of these countries. The applicants may be required to provide proof of their nationality upon confirmation.

  • Afghanistan
  • Bangladesh
  • Brunei
  • Bhutan
  • Cambodia
  • China
  • Hong Kong
  • India
  • Indonesia
  • Iran
  • Japan
  • Kazakhstan
  • Kyrgyzstan
  • Laos
  • Tajikistan
  • Turkmeniskitan
  • Malaysia
  • Macao
  • Maldives
  • Mongolia
  • Myanmar
  • Nepal
  • North Korea
  • Pakistan
  • Phillipines
  • Singapore
  • Sri Lanka
  • South Korea
  • Taiwan
  • Thailand
  • Timor-Leste
  • Uzbekistan
  • Vietnam

Stage of Production

The project must be produced or directed by a national of any of these countries. The applicants may be required to provide proof of their nationality upon confirmation.

Lab Stage Length (Mins) A/V Materials
Storytelling Development & Production 60 or more Trailer or excerpts
Short-Storytelling All Stages Less than 60 Trailer or excerpts
Editing Post-Production 60 or more Trailer and rough cut
Producing All Stages 60 or more Trailer and rough cut

Editorial considerations

  1. The project is factually accurate and offers an authentic perspective.
  2. Filmmakers adhere to best practices in documentary ethics.
  3. Access to characters in the project must be secured.
  4. The project is designed with a specific audience in mind and has the potential for global distribution.
  5. It is feasible to complete the project within a realistic budget for its scale and has the potential to secure sufficient funding.
  6. Selected filmmakers are prepared to collaborate internationally but may require further assistance to access the international market.
  7. Past Docs by the Sea participants are encouraged to submit new projects or resubmit projects previously included in the past editions, if significant progress has been made.
  8. Producers whose films are selected in the editing, storytelling, or short storytelling lab are not prioritised to participate in the Producing Lab.